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Universal Concepts Unlimited
507 W 24th Str, Ground Fl, New York, NY | Ph #: 212.727.7575 | Fax #: 212.727.7676 | Hours: 11am- 6pm
Gallery main page | Contact: Marian Ziola | U-C-U.com | ucu1@rcn.com

 Artists
Anker Suzanne
Bocci Roberto
-> Gillette Frank
Groebel Matthias
Gunther Ingo
LaPorta Tina
Miller Steve
Nechvatal Joseph
Rees Michael
Rubenstein Bradley
Topolski Andrew
Wogan Robert
Zansky Michael
Frank Gillette
Artwork | Biography | Exhibitions | Bibliography | Events | Slideshows
 
Selected One-Person Exhibitions

2001 Universal Concepts Unlimited, NYC, A Tangled Bank
2000 Universal Concepts Unlimited, NYC, Recent Works
1999 Everson Museum of Art, Syracuse, NY
Lamont Editions, NYC
Art-Life MOCA, www.art-life.com
1994 Florida State University Museum, Tallahassee
1992 B-4-A Gallery, NYC
1991 Attitude Art, NYC
1989 Catherine Turner Gallery, (Special Photographer’s Company) London
1987 Zenith Gallery, Washington, D.C.
1986 Loughelton Gallery, NYC
Institute of Contemporary Art, Boston, MA
1985 American Academy in Rome
London Video Arts, London
1983 Lawrence Oliver , Philadelphia, PA
Whitney Museum of American Art, NYC
1982 Leo Castelli Gallery, NYC
Woodstock Arts Center, Woodstock, NY
Honolulu Academy of Art, Honolulu, Hawaii
1981 E.C. Winward Gallery, LA
San Francisco Art Institute, CA
1980 Corcoran Gallery of Art, Washington, D.C.
The Kitchen, NYC
1979 University of Art Museum Berkeley, CA
Honolulu Academy of Art, Honolulu
Leo Castelli Gallery, NYC
1978 Contemporary Arts Museum, Houston, TX
The Kitchen, NYC
Robinson Gallery, NYC
1977 Leo Castelli Gallery, NYC
Whitney Museum of American Art, NYC
1976 Leo Castelli Gallery, NYC
1975 Long Beach Museum of Art, CA
Anthology Film Archives, NYC
1974 Art/Tapes 22, Florence, Italy
The Kitchen, NYC
Lowe Art Museum, Miami, FL
1973 Everson Museum of Art, Syracuse, NY
1969 Howard Wise Gallery, NYC
1964 Granite Gallery, NYC

Selected Group Exhibitions

2001 Institute of Contempoary Arts, Palm Beach, Florida
ZKM, Karlruhe, Germany
2000 Universal Concepts Unlimited, NYC, "Rounders"
1999 DNA Gallery, Provincetown, MA."Suitcase Show"
1998 O.K. Harris Gallery, NYC. "The Fanelli Show"
1997 Franklin Furnace, NYC
Nexus Foundation, Philadelphia
1996 Lombard Fried Gallery, NYC
1995 Castor/Paxe Gallery, London
1994 Whitney Museum of American Art, NYC. "TV as a Creative Medium"
University Art Museum, Florida State University, Tallahassee
1993 The Drawing Center, NYC. "The Exquisite Corpse"
Four Walls Gallery, Brooklyn, NY. "Re: Partitioning Perception"
Dooley Le Cappelaine Gallery, NYC
Tennisport Arts, L.I.C., NY. "Moving Shadows"
Cat’s Head, Brooklyn, NY. "Organism"
1992 E.M. Donahue Gallery, NYC. "The Rectangle Bank" (curated by the artist),
Pratt Manhattan Galleries, NYC. "The Nature of Science",
Dooley Le Cappelaine Gallery, NYC. "Ecstasy"
R & N Schafer Gallery Pratt, Brooklyn, NY. "The Nature Of Science",
Tennisport Arts, L.I.C., NY. "Inaugural Exhibition",
Cologne, Germany. "Art Fair"
1991 Photographic Resource Center @ Boston Univ.
The Kitchen, NYC. "Raindance: 20th Year",
1990 Kunsthaus, Zurich, Switzerland. "Video Skulptur"
1989 Scott Alan Gallery, NYC. "The Dark Sublime"
Bess Cutler Gallery, NYC. "American Pi(e)"
Kolnischer Kunstverein, Cologne, Germany. "Video Skulptur"
San Francisco Museum of Modern Art, S.F. "American Video Landscape"
AFR Gallery, Washington, D.C. "Sublime / Anti-Sublime"
INC, Lisbon, Portugal. "2nd Forum De Arte Contemporain"
Newport Harbor Museum of Art, CA. "American Video Landscape"
Taominia Arte, Rome, Italy
Neuer Berliner Kunstverein, Berlin, Germany. "Video Skulptur"
1988 Loughelton Gallery, NYC. "Of Another Nature"
Carnegie Museum of Art, Pittsburgh, PA. "American Landscape Video"
1987 Bess Cutler Gallery, NYC. "Paint/Film"
1986 University Art Gallery, Riverside, CA. "New American Video Art"
Loughelton Gallery, NYC. "Poetic Resemblance"
Institute of Modern Art, Brisbane, Australia. "New American Video Art"
Australian Video Festival, "New American Video Art"
Contemporary Art, Melbourne, Australia. "New American Video Art"
The Experimental Art Foundation, Adelaide, Australia. "New American Video Art"
Australian Institute of Technology, Perth, Australia. "New American Video Art"
1985 Instituto de Estudios Northeamericanos, Barcelona, Spain. "New American Video Art"
Blaffer Gallery, University of Houston, Texas. "New American Video Art"
Arvada Center for the Arts, Colorado. "New American Video Art"
Mandeville Art Gallery, San Diego, CA. "New American Video Art"
UCLA Film Archives, Los Angeles, CA. "Biennial Film Program"
Williams College, Williamstown, MA. "New American Video Art"
1984 Video Culture, Toronto, Canada. "New American Video Art"
Museum of Modern Art, NYC. "Primitivism in 20th Century Art"
Whitney Museum of American Art, NYC. "New American Video Art:
A Historical Survey, 1967-1980"
1982 "La Biennale di Venezia", Venice, Italy
Corcoran Gallery of Art, Washington, D.C.
1981 "Whitney Biennial", Whitney Museum of American Art, NYC.
Emanuel Walter Gallery, San Francisco Art Institute, S.F., CA. "Works By Faculty"
1980 "XIII Olympic Winter Games Exhibition", Lake Placid, NY
1979 Video Roma, Rome, Italy
American Institute of Architecture, NYC
P.S.1, Institute for Art and Urban Resources, NYC. "The Great Big Drawing Show"
1978 Musee de Beaux-Arts, Montreal, Canada
1977 "Documenta 6", Kassel, Germany
P.S.1 Institute for Art and Urban Resources, NYC
1976 Sonnabend Gallery, NYC
Leo Castelli Gallery, NYC
"Biennale Sao Paulo", Sao Paulo, Brazil
San Francisco Museum of Modern Art, San Francisco, CA
Museum of Fine Arts, Boston, MA
P.S.1, Institute for Art and Urban Resources, NYC. "Rooms"
1975 Institute of Contemporary Art, Philadelphia
Leo Castelli Gallery, NYC
"Whitney Biennial", Whitney Museum of American Art, NYC
1974 Museum of Modern Art, NYC
Kunsthalle, Cologne, Germany
Walker Art Center, Minneapolis
Leo Castelli, NYC
Art Tapes 22, Florence, Italy. "Americans in Florence"
1973 Cranbrook Academy of Art, Michigan
1972 Everson Museum of Art, Syracuse, NY. "Circuit"
1971 Everson Museum of Art, Syracuse, NY. "Air"
1970 Rose Art Museum, Brandeis University, Boston, MA. "Vision and Television"
Howard Wise Gallery, NYC
1969 Howard Wise Gallery, NYC. "T.V. As A Creative Medium"
1965 Granite Gallery, NYC
1963 Lovesco Gallery, NYC


Selected Permanent Public Collections

Metropolitan Museum of Art, NYC
Museum of Modern Art, NYC
Whitney Museum of American Art, NYC
Corcoran Gallery of Art, Washington, D.C.
University Art Museum, Berkeley, California
Princeton University Art Museum, Princeton, NJ
Tate Gallery, London
Electronic Arts Intermix, NYC
Raindance Foundation, NYC
Chase Manhattan Bank, NYC
Chicago Art Institute, Chicago
Polaroid Corporation, Cambridge, MA
Wilmer, Cutler, Pickering, Washington, D.C.
Photographic Resource Center, Boston
New School Collection, NYC
Resnick Collection, Philadelphia
Walker Art Center, Minneapolis
Art/Tapes22 Florence, Italy
Contemporary Arts Museum, Houston
Everson Museum of Art, Syracuse, NY
State University Art Gallery, New Paltz, NY

Grants and Awards

1984 American Academy in Rome, Artist in Residence
1983 Rockefeller Foundation Fellowship
1980 N.E.A. Fellowship
1979 Guggenheim Foundation Fellowship
1976 N.E.A. Fellowship
1974 New York State Council on the Arts Grant
D.A.R.E. Foundation Fellowship
1972 New York State Council on the Arts Grant
1970 New York State Council on the Arts Grant

Video Productions:

1993 Organism 2 parts, projected, 9 minutes each
1992 Art Addict 20 minutes
1985 The Rome Tapes 3 parts, 20 minutes each
1984 In the Creeks 59 minutes
1983 Oracle Tapes 6 parts, 12 minutes each
1981 Teton Cycle 45 minutes
1980 Olas Magnus 5 parts, 45 minutes each
Commissioned by the Winter Olympics, Lake Placid, New York
1979/80 Symptomatic Syntax 8 parts, 20 minutes each
1978/79 Aransas 6 parts, 50 minutes each
1976/77 Maui 4 parts, 30 minutes each
1975 Quiddatas Broadcast Version, 28 minutes.
Produced by WGBH, Boston, MA for NET Broadcasts.
1974/75 Quiddatas Installation Version:
Part 1: Bough, Snow/ Brook, Field/Dusk, Lake, Wood’s Floor 55 minutes
Part 2: Tidal Flats, Dunes, Sea 57 minutes
Part 3: Pond, Grove, Salt Marsh, Scrub Pines 48 minutes
1973 Computer Gaming 3 parts, 30 minutes each
collaborators: Andy Mann and Juan Downey for Cooper Hewitt Museum
Muse 26 minutes
1972/73 Hark Hork 18 minutes
Tetraramaton 138 minutes
1972 150 Portraits 60 minutes
Ruff Kut, Homage to R. Mutt 20 minutes
1971/72 Tortoise Templates 15 minutes
1971 Eyesore The End As She Danced Upon My Flaw
assistant: Andy Mann, 120 minutes
1970 Joan 20 minutes
Solar Eclipse 40 minutes
assistants: Jud Yalkut and Allen Krebs
Bucky Fuller 60 minutes
collaborator: Ira Schneider
1970 I Was An Eagle, I Am Extinct 20 minutes
The Mushroom Tapes 20 minutes , assistant: Joan Hennessy
Here’s To Your Goiter Goat Man 20 minutes
Hollywood Boulevard 20 minutes
Room Service 20 minutes
collaborator: Paul Ryan
The Rays 20 minutes
collaborator: Paul Ryan
1969 Keep 4 parts, 20 minutes each
The Wipe Cycle Tapes 40 minutes
collaborator: Ira Schneider
The Antioch Tapes 120 minutes
collaborator: Ira Schneider
1968 Process Tapes for the Village Project 8 hours
Self Portrait 120 minutes
St. Mark’s Place 40 minutes, collaborator: Harvey Simons
*All tapes are available.

Multi-Channel Installations


1993 Organism 2 channels (projected), color
1983 Oracle 8 channels, 2 cameras, terrarium, 6 computer programs, color
1980 Symptomatic Syntax 6 channels, color, 20 minutes
Olaus Magnus 5 channels, color, 30 minutes
1978 Aransas 6 channels, color, 45 minutes
1977 Mecox 3 channels, color, 20 minutes
1976 The Maui Cycle 3 channels, color, 45 minutes
1975 Two Settings/Big Sur 2 channels, b/w, 20 minutes
1974 Quidditas 3 channels, color, 60 minutes
Three Tuscan Fields and The Birds of Madagascar
3 channels, b/w, 20 minutes
1974 Muse 3 channels, b/w, 26 minutes
Real Time/Raw Tape 3 channels, b/w, 25 minutes
1973 Track/Trace 15 channels, 3 cameras, 4 time-delays, b/w
Gestation/Growth 2 channels, 1 camera,incubator, geodesic dome, b/w
Terraque 6 channels, 10 monitors, 6 cameras, 6 terrerariums, b/w
1972 Tetragramaton 6 channels, 30 monitors, 30 minutes

1971 Eyesore The End As She Danced Upon My Flaw 4 channels, b/w, 80 minutes
1970 Amps, Watts, Volts 10 channels, 2 cameras, b/w
1969 Wipe Cycle 9 channels, camera, 3 time delays, b/w, 60 minutes
1968 Keep 4 channels, b/w, 20 minutes

 

Universal Concepts Unlimited

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